Shopping on line can be easy, simple and save you lots of money. It can also take a lot of your time, frustrate you, and result in unwanted purchases. Now the same can be said for regular high street shopping, but with the vast opportunity presented by the Internet it will pay you to spend a few minutes reading this and understanding how to better optimize your Ninja shopping experience:
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4. Questions - Got a question about Ninja then search the Forums, FAQ's, Blogs etc. Don't be afraid to ask .....
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6. Returns - still worried that even after all of the above your Ninja wont be what you want? Check out the returns policy. There is so much competition now that someone, somewhere is bound to offer the terms that you are comfortable with.
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8. Security - check for the yellow padlock on the Ninja site before you buy, and the s after http:/ /i.e. https:// = a secure site
9. Contact - got a question about Ninja, or want to leave a comment then check out the sites contact page. Reputable companies have them and respond.
10. Payment - ready to pay for your Ninja, then use your credit card or PayPal! Be aware of companies that don't accept them, there may be genuine reasons but given the huge amount of choice you have when buying online there is no reason at all not to buy via credit card or PayPal.
For other meanings, see Ninja (disambiguation).
, ninja and title character of the Japanese folklore
Jiraiya Goketsu Monogatari.
In the history of Japan, a was someone specially trained in a variety of unorthodox arts of
war. These included
assassination, espionage, and other
martial arts.
In the Japanese culture, they were usually trained for dangerous missions. Although their exact origins are still unknown, with some historians speculating about some China origin or influence, it is known that they appeared in
14th century feudal Japan, and remained active from the Kamakura period to the
Edo period. Their roles may have included sabotage, espionage, Reconnaissance and
assassination missions as a way to destabilize and cause social chaos in enemy territory or against an opposing ruler, perhaps in the service of their feudal rulers (daimyo, shogun), or an underground ninja organization waging guerilla warfare.
Etymology
Ninja is the
on'yomi reading of the two
kanji 忍者 used to write
shinobi-no-mono (忍の者), which is the Japanese language#Vocabulary for people who practice
ninjutsu (忍術, sometimes erroneously Transliteration as
ninjitsu). The term
shinobi (Old Japanese
sino2bi2 written with the Man'yōgana 志能備), has been traced as far back as the late
8th century when Heguri Uji no Iratsume wrote a poemTakagi, Man'yōshū poem #3940; page 191Satake, Man'yōshū poem #3940; page 108 to
Ōtomo no Yakamochi. The underlying connotation of
shinobi (:wikt:忍), in
Sino-Japanese means "to steal away" and—by extension—"to forbear," hence its association with stealth and invisibility.
Mono (:wikt:者, likewise pronounced
sha or
ja) means "person."
The word
ninja became popular in the post-World War II culture. The
nin of
ninjutsu is the same as that in
ninja, whereas
jutsu (:wikt:術) means skill or art, so
ninjutsu means "the skill of going unperceived" or "the art of stealth"; hence,
ninja and
shinobi-no-mono (as well as
shinobi) may be translated as "one skilled in the art of stealth." Similarly, the pre-war word
ninjutsu-zukai means "one who uses the art of remaining unperceived."
Other terms which may be used include
Oniwabanshū (お庭番 "one in the garden"),
suppa,
rappa,
mitsumono,
kusa (草 grass) and
Iga-mono ("one from Iga").
In
English language, the plural of
ninja can be either unchanged as
ninja, reflecting the Japanese language's lack of grammatical number, or the regular English plural
ninjas.Oxford English Dictionary, 2nd ed.;
American Heritage Dictionary, 4th ed.; Dictionary.com Unabridged (v 1.1).
Historical period of origin
The ninja use of stealth tactics against better-armed enemy
samurai does not mean that they were limited to espionage and undercover work: that is simply where their actions most notably differed from the more accepted tactics of samurai. Their weapons and tactics were partially derived from the need to conceal or defend themselves quickly from samurai, which can be seen from the similarities between many of their weapons and various sickles and threshing tools used at the time.
Ninjas as a group first began to be written about in 15th century feudal Japan as martial organizations predominately in the regions of Iga Province and Koga, Shiga of central Japan, though the practice of guerrilla warfare and undercover espionage operations goes back much further.
At this time, the conflicts between the clans of
daimyo that controlled small regions of land had established guerrilla warfare and assassination as a valuable alternative to frontal assault. Since
Bushido, the Samurai Code, forbade such tactics as dishonorable, a daimyo could not expect his own troops to perform the tasks required; thus, he had to buy or broker the assistance of ninja to perform selective strikes, espionage, assassination, and infiltration of enemy strongholds. (Stephen Turnbull (historian))
There are a few people and groups of people regarded as having been potential historical ninja from approximately the same time period. It is rumored that some of the higher-ranking daimyos and shoguns were in fact ninja, and exploited their role as ninja-hunters to deflect suspicion and obscure their participation in the 'dishonorable' ninja methods and training.
Though typically classified as assassins, many of the ninja were warriors in all senses. In Stephen K. Hayes's book,
Mystic Arts of the Ninja,
Hattori Hanzo, one of the most well-known ninja, is depicted in armor similar to that of a samurai. Hayes also says that those who ended up recording the history of the ninja were typically those within positions of power in the military dictatorships, and that students of history should realize that the history of the ninja was kept by observers writing about their activities as seen from the outside.
"Ninjutsu did not come into being as a specific well defined art in the first place, and many centuries passed before ninjutsu was established as an independent system of knowledge in its own right. Ninjutsu developed as a highly illegal counter culture to the ruling samurai elite, and for this reason alone, the origins of the art were shrouded by centuries of mystery, concealment, and deliberate confusion of history."
A similar account is given by Hayes: "The predecessors of Japan's ninja were so-called rebels favoring Buddhism who fled into the mountains near Kyoto as early as the 7th century A.D. to escape religious persecution and death at the hands of imperial forces."
Historical organization
In their history, ninja groups were small and structured around families and villages, later developing a more martial hierarchy that was able to mesh more closely with that of samurai and the daimyo. These certain
ninjutsu trained groups were set in these villages for protection against raiders and robbers.
"Ninja museums" in Japan declare women to have been ninjas as well. A female ninja may be
kunoichi (くノ一); the characters are derived from the strokes that make up the kanji for female (女). They were sometimes depicted as spies who learned the secrets of an enemy by seduction; though it's just as likely they were employed as household servants, putting them in a position to overhear potentially valuable information.
As a martial organization, ninja would have had many rules, and keeping secret the ninja's clan and the daimyo who gave them their orders would have been one of the most important ones.
For modern hierarchy in ninjutsu, see
Ninjutsu.
Historical garb, technique, and image
There is no evidence that historical ninja limited themselves to all-black suits. In modern times, camouflage based upon dark colors such as dark red and dark blue can be used to give better concealment at night. Some cloaks may have been reversible: dark colored on the outside for concealment during the night, and white colored on the inside for concealment in the snow. Some ninja may have worn the same armor or clothing as samurai or Japanese peasants.
The stereotypical ninja that continually wears easily identifiable black outfits (
shinobi shozoku) comes from the
Kabuki theater. Prop handlers would dress in black and move props around on the stage. The audience would obviously see the prop handlers, but would pretend they were invisible. Building on that willing
suspension of disbelief, ninja characters also came to be portrayed in the theater as wearing similar all-black suits. This either implied to the audience that the ninja were also invisible, or simply made the audience unable to tell a ninja character from many prop handlers until the ninja character distinguished himself from the other stagehands with a scripted attack or assassination.
Ninja boots (
jika-tabi), like much of the rest of Japanese footwear from the time, have a split-toe design that improves gripping and wall/rope climbing. They are soft enough to be virtually silent. Ninja also attached special spikes to the bottoms of the boots called
ashiko.
The actual head covering suggested by Sōke Masaaki Hatsumi (in his book
The Way of the Ninja: Secret Techniques) utilizes what is referred to as
sanjaku-tenugui, (three-foot cloths). It involves the tying of two three-foot cloths around the head in such a way as to make the mask flexible in configuration but securely bound. Some wear a long robe, most of the time dark blue (紺色
kon'iro) for stealth.
Associated equipment
The assassination, espionage, and infiltration tasks of the ninja led to the development of specialized technology in concealable weapons and infiltration tools.
Specialized weapons and tactics
Ninja also employed a variety of weapons and tricks using gunpowder.
Smoke bombs and firecrackers were widely used to aid an escape or create a diversion for an attack. They used timed fuses to delay explosions.
Ōzutsu (cannons) they constructed could be used to launch fiery sparks as well as projectiles at a target. Small "bombs" called
metsubushi (目潰し, "eye closers") were filled with sand and sometimes metal dust. This sand would be carried in bamboo segments or in hollowed eggs and thrown at someone, the shell would crack, and the assailant would be blinded. Even land mines were constructed that used a mechanical fuse or a lit, oil-soaked string. Secrets of making desirable mixes of gunpowder were strictly guarded in many ninja clans.
Other forms of trickery were said to be used for escaping and combat.
Ashiaro are wooden pads attached to the ninja's
tabi (thick socks with a separate "toe" for bigger toe; used with sandals). The
ashiaro would be carved to look like an animal's paw, or a child's foot, allowing the ninja to leave tracks that most likely would not be noticed.
Also a small ring worn on a ninja's finger called a
shobo would be used for hand-to-hand combat. The
shobo (or as known in many styles of
ninjutsu, the
shabo) would have a small notch of wood used to hit assailant's
pressure points for sharp pain, sometimes causing temporary paralysis. A
suntetsu is very similar to a
shobo. It could be a small oval shaped piece of wood affixed to the finger by a small strap. The
suntetsu would be held against a finger (mostly middle) on the palm-side and when the hand was thrust at an opponent using the longer piece of wood to target pressure points such as the
solar plexus.
Ninja also used special short swords called
ninjaken, or
shinobigatana.
Ninjaken are smaller than
katana but larger than
wakizashi. The
ninjaken was often more of a utilitarian tool than a weapon, not having the complex heat treatment of a usual weapon. Another version of the ninja sword was the
shikoro ken (saw sword). The
shikoro ken was said to be used to gain entry into buildings, and could also have a double use by cutting (or slashing in this case) opponents.
In popular culture
Ninja appear in both Japanese and
Western World fiction. Depictions range from realistic to the fantastically exaggerated.
- In the mid-1960s the Japanese TV series The Samurai (TV show) created a major wave of popularity for the ninja in Japan, and this was replicated in several other countries where the series was screened, most notably in Australia, where the program's popularity rivaled its following in Japan among children.
- In Masashi Kishimoto's popular manga/anime Naruto, ninja are the main focus and ruling power.
- Teenage Mutant Ninja Turtles (TMNT) originally was intended to satirize the characterizations of ninja in the Western comics, primarily drawing on the fictionalized representations created by Frank Miller (comics) in Marvel's Daredevil comics of the late 1970s and early 1980s.
- Many sources, including books, television, movies, and websites are portraying ninja in non-factual ways, often for humor or entertainment. Popular examples include the Real Ultimate Power website and book, the Ninja Spirit (video series) parody video series, and the Ask a Ninja podcast and website which are satirically written, feigning obsessive over-enthusiasm for ninja. Ninja Burger presents a fiction in which Ninja can be hired to deliver fast food in 30 minutes or less without being seen, or, on failure, commit seppuku.
- More popular western fictional ninja have appeared in the popular 1980's ninja-oriented films of Japanese actor and martial artist Sho Kosugi, the American Ninja series, and the TMNT franchise, among others.
- Ninja frequently appear in videogames (i.e. Tenchu, Ninja Gaiden, Shinobi (video game), Shinobido), where they have gained as strong a following among gamers as they have among movie-goers.
- In the movie You Only Live Twice (film), James Bond is brought to a government ninja training camp by the head of the Japanese secret service, Tiger Tanaka, and survives several assassination attempts there.
- Kawasaki Heavy Industries adopted the name "Ninja" for one of their lines of sportsbikes. (See Kawasaki Ninja.)
Notes
References
| last = Takagi
| first = Ichinosuke
| authorlink =
| coauthors = Tomohide Gomi, Susumu Ōno
| title = Nihon Koten Bungaku Taikei: Man'yōshū Volume 4
| publisher = Iwanami Shoten
| date = 1962
| location =
| pages =
| url =
| doi =
| id = ISBN 4-00-060007-9 -->
| last = Satake
| first = Akihiro
| authorlink =
| coauthors = Hideo Yasumada, Rikio Kudō, Masao Ōtani, Yoshiyuki Yamazaki
| title = Shin Nihon Koten Bungaku Taikei: Man'yōshū Volume 4
| publisher = Iwanami Shoten
| date = 2003
| location =
| pages =
| url =
| doi =
| id = ISBN 4-00-240004-2 -->
External links
- How Ninja Work at How Stuff Works
- History of the concept of the Ninja, especially in theatre
- Ask a ninja about being a ninja (note: fictional ninja)
For other meanings, see Ninja (disambiguation).
, ninja and title character of the
Japanese folklore Jiraiya Goketsu Monogatari.
In the history of Japan, a was someone specially trained in a variety of unorthodox arts of
war. These included
assassination, espionage, and other
martial arts.
In the
Japanese culture, they were usually trained for dangerous missions. Although their exact origins are still unknown, with some historians speculating about some China origin or influence, it is known that they appeared in
14th century feudal Japan, and remained active from the
Kamakura period to the Edo period. Their roles may have included
sabotage, espionage,
Reconnaissance and
assassination missions as a way to destabilize and cause social chaos in enemy territory or against an opposing ruler, perhaps in the service of their feudal rulers (daimyo,
shogun), or an underground ninja organization waging
guerilla warfare.
Etymology
Ninja is the
on'yomi reading of the two kanji 忍者 used to write
shinobi-no-mono (忍の者), which is the
Japanese language#Vocabulary for people who practice
ninjutsu (忍術, sometimes erroneously
Transliteration as
ninjitsu). The term
shinobi (
Old Japanese sino2bi2 written with the
Man'yōgana 志能備), has been traced as far back as the late 8th century when Heguri Uji no Iratsume wrote a poemTakagi,
Man'yōshū poem #3940; page 191Satake, Man'yōshū poem #3940; page 108 to
Ōtomo no Yakamochi. The underlying connotation of
shinobi (:wikt:忍), in
Sino-Japanese means "to steal away" and—by extension—"to forbear," hence its association with stealth and invisibility.
Mono (:wikt:者, likewise pronounced
sha or
ja) means "person."
The word
ninja became popular in the post-World War II culture. The
nin of
ninjutsu is the same as that in
ninja, whereas
jutsu (
:wikt:術) means skill or art, so
ninjutsu means "the skill of going unperceived" or "the art of stealth"; hence,
ninja and
shinobi-no-mono (as well as
shinobi) may be translated as "one skilled in the art of stealth." Similarly, the pre-war word
ninjutsu-zukai means "one who uses the art of remaining unperceived."
Other terms which may be used include
Oniwabanshū (お庭番 "one in the garden"),
suppa,
rappa,
mitsumono,
kusa (草 grass) and
Iga-mono ("one from Iga").
In English language, the plural of
ninja can be either unchanged as
ninja, reflecting the Japanese language's lack of grammatical number, or the regular English plural
ninjas.
Oxford English Dictionary, 2nd ed.; American Heritage Dictionary, 4th ed.; Dictionary.com Unabridged (v 1.1).
Historical period of origin
The ninja use of stealth tactics against better-armed enemy
samurai does not mean that they were limited to espionage and undercover work: that is simply where their actions most notably differed from the more accepted tactics of samurai. Their weapons and tactics were partially derived from the need to conceal or defend themselves quickly from samurai, which can be seen from the similarities between many of their weapons and various
sickles and threshing tools used at the time.
Ninjas as a group first began to be written about in 15th century feudal Japan as martial organizations predominately in the regions of
Iga Province and
Koga, Shiga of central Japan, though the practice of
guerrilla warfare and undercover espionage operations goes back much further.
At this time, the conflicts between the clans of
daimyo that controlled small regions of land had established guerrilla warfare and assassination as a valuable alternative to frontal assault. Since
Bushido, the Samurai Code, forbade such tactics as dishonorable, a daimyo could not expect his own troops to perform the tasks required; thus, he had to buy or broker the assistance of ninja to perform selective strikes, espionage, assassination, and infiltration of enemy strongholds. (Stephen Turnbull (historian))
There are a few people and groups of people regarded as having been potential historical ninja from approximately the same time period. It is rumored that some of the higher-ranking daimyos and shoguns were in fact ninja, and exploited their role as ninja-hunters to deflect suspicion and obscure their participation in the 'dishonorable' ninja methods and training.
Though typically classified as assassins, many of the ninja were warriors in all senses. In
Stephen K. Hayes's book,
Mystic Arts of the Ninja, Hattori Hanzo, one of the most well-known ninja, is depicted in armor similar to that of a samurai. Hayes also says that those who ended up recording the history of the ninja were typically those within positions of power in the military dictatorships, and that students of history should realize that the history of the ninja was kept by observers writing about their activities as seen from the outside.
"
Ninjutsu did not come into being as a specific well defined art in the first place, and many centuries passed before ninjutsu was established as an independent system of knowledge in its own right. Ninjutsu developed as a highly illegal counter culture to the ruling samurai elite, and for this reason alone, the origins of the art were shrouded by centuries of mystery, concealment, and deliberate confusion of history."
A similar account is given by Hayes: "The predecessors of Japan's ninja were so-called rebels favoring
Buddhism who fled into the mountains near
Kyoto as early as the 7th century A.D. to escape religious persecution and death at the hands of imperial forces."
Historical organization
In their history, ninja groups were small and structured around families and villages, later developing a more martial hierarchy that was able to mesh more closely with that of samurai and the daimyo. These certain
ninjutsu trained groups were set in these villages for protection against raiders and robbers.
"Ninja museums" in Japan declare women to have been ninjas as well. A female ninja may be
kunoichi (くノ一); the characters are derived from the strokes that make up the kanji for female (女). They were sometimes depicted as spies who learned the secrets of an enemy by seduction; though it's just as likely they were employed as household servants, putting them in a position to overhear potentially valuable information.
As a martial organization, ninja would have had many rules, and keeping secret the ninja's clan and the daimyo who gave them their orders would have been one of the most important ones.
For modern hierarchy in ninjutsu, see
Ninjutsu.
Historical garb, technique, and image
There is no evidence that historical ninja limited themselves to all-black suits. In modern times, camouflage based upon dark colors such as dark red and dark blue can be used to give better concealment at night. Some cloaks may have been reversible: dark colored on the outside for concealment during the night, and white colored on the inside for concealment in the snow. Some ninja may have worn the same armor or clothing as samurai or Japanese peasants.
The stereotypical ninja that continually wears easily identifiable black outfits (
shinobi shozoku) comes from the
Kabuki theater. Prop handlers would dress in black and move props around on the stage. The audience would obviously see the prop handlers, but would pretend they were invisible. Building on that willing
suspension of disbelief, ninja characters also came to be portrayed in the theater as wearing similar all-black suits. This either implied to the audience that the ninja were also invisible, or simply made the audience unable to tell a ninja character from many prop handlers until the ninja character distinguished himself from the other stagehands with a scripted attack or assassination.
Ninja boots (
jika-tabi), like much of the rest of Japanese footwear from the time, have a split-toe design that improves gripping and wall/rope climbing. They are soft enough to be virtually silent. Ninja also attached special spikes to the bottoms of the boots called
ashiko.
The actual head covering suggested by Sōke Masaaki Hatsumi (in his book
The Way of the Ninja: Secret Techniques) utilizes what is referred to as
sanjaku-tenugui, (three-foot cloths). It involves the tying of two three-foot cloths around the head in such a way as to make the mask flexible in configuration but securely bound. Some wear a long robe, most of the time dark blue (紺色
kon'iro) for stealth.
Associated equipment
The assassination, espionage, and infiltration tasks of the ninja led to the development of specialized technology in concealable weapons and infiltration tools.
Specialized weapons and tactics
Ninja also employed a variety of weapons and tricks using gunpowder. Smoke bombs and firecrackers were widely used to aid an escape or create a diversion for an attack. They used timed fuses to delay explosions.
Ōzutsu (cannons) they constructed could be used to launch fiery sparks as well as projectiles at a target. Small "bombs" called
metsubushi (目潰し, "eye closers") were filled with sand and sometimes metal dust. This sand would be carried in bamboo segments or in hollowed eggs and thrown at someone, the shell would crack, and the assailant would be blinded. Even land mines were constructed that used a mechanical fuse or a lit, oil-soaked string. Secrets of making desirable mixes of gunpowder were strictly guarded in many ninja clans.
Other forms of trickery were said to be used for escaping and combat.
Ashiaro are wooden pads attached to the ninja's
tabi (thick socks with a separate "toe" for bigger toe; used with sandals). The
ashiaro would be carved to look like an animal's paw, or a child's foot, allowing the ninja to leave tracks that most likely would not be noticed.
Also a small ring worn on a ninja's finger called a
shobo would be used for hand-to-hand combat. The
shobo (or as known in many styles of
ninjutsu, the
shabo) would have a small notch of wood used to hit assailant's pressure points for sharp pain, sometimes causing temporary paralysis. A
suntetsu is very similar to a
shobo. It could be a small oval shaped piece of wood affixed to the finger by a small strap. The
suntetsu would be held against a finger (mostly middle) on the palm-side and when the hand was thrust at an opponent using the longer piece of wood to target pressure points such as the
solar plexus.
Ninja also used special short swords called
ninjaken, or
shinobigatana.
Ninjaken are smaller than
katana but larger than
wakizashi. The
ninjaken was often more of a utilitarian tool than a weapon, not having the complex heat treatment of a usual weapon. Another version of the ninja sword was the
shikoro ken (saw sword). The
shikoro ken was said to be used to gain entry into buildings, and could also have a double use by cutting (or slashing in this case) opponents.
In popular culture
Ninja appear in both Japanese and
Western World fiction. Depictions range from realistic to the fantastically exaggerated.
- In the mid-1960s the Japanese TV series The Samurai (TV show) created a major wave of popularity for the ninja in Japan, and this was replicated in several other countries where the series was screened, most notably in Australia, where the program's popularity rivaled its following in Japan among children.
- Many sources, including books, television, movies, and websites are portraying ninja in non-factual ways, often for humor or entertainment. Popular examples include the Real Ultimate Power website and book, the Ninja Spirit (video series) parody video series, and the Ask a Ninja podcast and website which are satirically written, feigning obsessive over-enthusiasm for ninja. Ninja Burger presents a fiction in which Ninja can be hired to deliver fast food in 30 minutes or less without being seen, or, on failure, commit seppuku.
- More popular western fictional ninja have appeared in the popular 1980's ninja-oriented films of Japanese actor and martial artist Sho Kosugi, the American Ninja series, and the TMNT franchise, among others.
- In the movie You Only Live Twice (film), James Bond is brought to a government ninja training camp by the head of the Japanese secret service, Tiger Tanaka, and survives several assassination attempts there.
- Kawasaki Heavy Industries adopted the name "Ninja" for one of their lines of sportsbikes. (See Kawasaki Ninja.)
Notes
References
| last = Takagi
| first = Ichinosuke
| authorlink =
| coauthors = Tomohide Gomi, Susumu Ōno
| title = Nihon Koten Bungaku Taikei: Man'yōshū Volume 4
| publisher = Iwanami Shoten
| date = 1962
| location =
| pages =
| url =
| doi =
| id = ISBN 4-00-060007-9 -->
| last = Satake
| first = Akihiro
| authorlink =
| coauthors = Hideo Yasumada, Rikio Kudō, Masao Ōtani, Yoshiyuki Yamazaki
| title = Shin Nihon Koten Bungaku Taikei: Man'yōshū Volume 4
| publisher = Iwanami Shoten
| date = 2003
| location =
| pages =
| url =
| doi =
| id = ISBN 4-00-240004-2 -->
External links
- How Ninja Work at How Stuff Works
- History of the concept of the Ninja, especially in theatre
- Ask a ninja about being a ninja (note: fictional ninja)
Ninja - Wikipedia, the free encyclopedia
In Japanese history, a Ninja (忍者, ninja?) is an elite warrior, highly trained in all aspects of combat martial arts, and specializing in a variety of unorthodox arts of war.
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